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Beginning a big trip

September 29, 2011 by Watt Childress Leave a Comment

It’s no small task to leave a farm, bookshop, and midwifery practice to go on a five week trip to Europe with a family of four. Sitting in the Boston airport, waiting to depart, I’m hoping we didn’t forget too much.

We left our Nehalem, Oregon home in the stewardship of poet Travis Champ. His manual typewriter is set up at a desk facing a window that looks out toward our garden. Overhead are drying bunches of Jennifer’s lavender. Hope it’s a good place for him to work.

What a blessing to spend some time with Travis yesterday before we left, transitioning to travel with bits of talk about books and art, walking through the motions required to care for the fish and chickens and cats and dog and dairy goats.

One of those motions involves a favorite goat — Nutmeg — who developed severe mastitis in the days before our planned departure. I showed Travis how to straddle Nutmeg while holding one of her front legs and cradling her head. She struggled and cried out as we injected antibiotic into her swollen teat. Then she chewed her cud and let me hug her.

A former wrestler in high school, Travis didn’t seem daunted by any of this. Our gracious friend Brian who farms nearby is coming over to administer the remaining treatments with him. It feels good to know Nutmeg is in good hands.

Walking through the barn I mentioned of my favorite paintings to Travis — “I and the Village” by Marc Chagall. It features a vivid green-colored man looking into the face of his goat, or what I’ve always thought is a goat. There’s a dashed line between the eyes of the animal and man, with images of rural village life surrounding the two figures. The painting’s title underscores the core importance of human-animal relationships in village life.

Much of the mainstream pop culture that trained my upbringing associated free creative expression with urban settings, far from the village. With his beautiful wild colors, Chagall showed us that the basic human rituals of the village can be psychedelic.

At the other end of the spectrum are the rituals of American airports. Our flight is now boarding. Next post will be from Paris.

 

 

Filed Under: Culture, ULE

About Watt Childress

Watt owns Jupiter's Books in Cannon Beach, Oregon and he publishes the Upper Left Edge. He has written for HIPFiSH, The Daily Astorian, The North Coast Citizen, The Seaside Signal, The Oregonian, and The Vancouver Observer. Also Appalachian Magazine, The Kingsport Times-News, The Tennessean, The Third Eye, Farmazine, The Griot, and Presbyterian Survey. His lettered compulsion took a turn, thirty-some years ago, when he began sending odd columns to the Reverend Billy Lloyd Hults, former publisher of The Upper Left Edge. Watt lives on a tiny hill-farm perched beside the Nehalem Valley. There he and his kin care for dairy goats, chickens, ducks, dogs, newts and other critters.

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Readers’ Comments

  • Watt Childress April 28, 2025 at 11:48 am on Uncle Zech’s Amphibious GestaltAlso, you inspired me to insert a sentence crediting Hoyt Axton with the song's genesis. Many thanks!
  • Watt Childress April 27, 2025 at 10:55 pm on Uncle Zech’s Amphibious GestaltThank you kindly Jim for reading this and commenting. I enjoyed your review of "Sun House" by David James Duncan,
  • Jim Stewart April 27, 2025 at 8:26 pm on Uncle Zech’s Amphibious GestaltNice! Hoyt Axton wrote the Jeremiah song and sang it with great gusto. Life wanders on and I'm still glad
  • Watt Childress April 26, 2025 at 3:51 pm on Uncle Zech’s Amphibious GestaltDuring spring I think of you, and all the May Pole celebrations you've organized over the years. So grateful for
  • Watt Childress April 26, 2025 at 3:18 pm on Uncle Zech’s Amphibious GestaltIn my dreams I sing to the multitudes, with a voice as clear and sweet and churchy as Lou Reed.
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